The new album was recorded and mixed by F.lor in Paris between July 2007 and July 2008, and mastered in Los Angeles by John Golden. The first takes were recorded at the Microbe studio on a rare Euphonix mixing desk, and were later arranged at studio PUSH, in the 18th arrondissement. It was in the cavernous heart of this strange underground laboratory that the three-piece diligently crafted their efficient but ambitious songs. Amplified kalimbas, reverb-drenched guitars, catchy rhythms, vintage keyboards and psychedelic vocals invoke the holy trinity - Fela Kuti, Brian Eno and Tom ZŽ (the one of tropicalism ) - and take the listener on a voyage through a fantastical and enchanting world, perfectly illustrated by the work of Japanese artist Yu Matsuoka.

The new album was recorded and mixed by F.lor in Paris between July 2007 and July 2008, and mastered in Los Angeles by John Golden. The first takes were recorded at the Microbe studio on a rare Euphonix mixing desk, and were later arranged at studio PUSH, in the 18th arrondissement. It was in the cavernous heart of this strange underground laboratory that the three-piece diligently crafted their efficient but ambitious songs. Amplified kalimbas, reverb-drenched guitars, catchy rhythms, vintage keyboards and psychedelic vocals invoke the holy trinity - Fela Kuti, Brian Eno and Tom ZŽ (the one of tropicalism ) - and take the listener on a voyage through a fantastical and enchanting world, perfectly illustrated by the work of Japanese artist Yu Matsuoka.

This three piece at the forefront of Paris innovative scene cultivates an instrumental rock form. Their music is cyclical, textured, halfway between movie scores and psychedelic transgression. The band cites influences such as Alice Coltrane, Fela Kuti, This Heat, Can and the early Sonic Youth while mixing a lot of electronics together with a wide variety of instruments : amplified kalimba, electric guitars and bass, drums, percussions, vocals.

This three piece at the forefront of Paris innovative scene cultivates an instrumental rock form. Their music is cyclical, textured, halfway between movie scores and psychedelic transgression. The band cites influences such as Alice Coltrane, Fela Kuti, This Heat, Can and the early Sonic Youth while mixing a lot of electronics together with a wide variety of instruments : amplified kalimba, electric guitars and bass, drums, percussions, vocals.

This album is a cover album. Don Nino has recorded 11 songs he discovered and loved between the age of 7 and 17 ...
Shane Aspegren (Berg Sans Nipple, Bright eyes) is on drums, Frederic Simon on Tuba, Cornet and Erik Minkkinen (Sisiter Iodine...) on guitars. Helena Noguerra features on a Veloso cover.
Covers of Gainsbourg, Syd Barrett, Bauhaus, The Cure, Prince, The Beatles, Sonic Youth, Jeanette, Leonard Cohen, Madonna, Caetano Veloso.

you can listen to 3 songs on myspace.com/donnino or
lastFM

This album is a studio recording of the material composed for the nlf3 trio livesountrack on masterpiece "QUE VIVA MEXICO!"
by S. M . Eisenstein. The film was shot in 1931 but edited by Alexandrov in 1979. NLF3 has scored and composed this beautiful and unique alternate musical proposition on the film.
For fans of soundtracks, psychedelism and Morricone influences.

you can listen to 3 songs on myspace.com/nlf3 or
lastFM

16 unreleased songs from the label bands including NLF3+Dominique Petitgand, first The BERG SANS NIPPLE show, PROHIBITION and PURR songs... Treasures from 1996 to 2006.

Nicolas Laureau a.k.a Don Nino is one of those French artists who builds up their own musical idiosyncrasy. Having shouted whispers within mythical group Prohibition (1989-1999), he revealed for the first time his murmured cries on his beautiful first album "Real Seasons Make Reasons". Today, he returns with twelve impressive titles that slowly shift from softness to the blackness of noir movies but also to lightness and sense of humor. The unit, produced with a modern esthetics, locates Don Nino in an abstract community of contemporary singers and musicians, somewhere between Arto Lindsay, Jim O' Rourke, Devendra Banhart and Vincent Gallo.

Pascal Bouaziz and his band deliver a third beautiful album, incomparible french lyrics, somewhere between Lou reed, Gainsbourg and Sonic Youth.

Shane Aspegren and Lori sean berg, forming explosive duet BERG SANS NIPPLE, have recorded their first album in Nebraska in January 2003. Great instrumentals with drums, loops, wurlitzer, echos and minimalist electronics somewhere between Satie and GodSpeedYou. Great collaboration on this album with Luke Sutherland, Do Make Say Think, Maria Talyor.
listen to "dilate in rythm" (mp3)

New album by parisian trio nlf3 trio. A great variety of instruments : from distorted guitars to creeping keyboards and deep fender rhodes, jazzed drums and driven electronics. Somewhere between Afro-jazz, electronica and psychedelic rock. Someone said "a Soft Machine meeting Yo La Tengo...".
listen to "orfeu" (mp3)
listen to "hihahaha land" (mp3)

Wilfried* is a french songwriter who lives in Paris. He has been releasing and recording songs from 1992. We can situate his work somewhere between Lofi Master Daniel Jonhston and french singers like Serge Gainsgourg or Katerine and Dominique A. "Songs For Mum&Dad" is his first full lenght album but he has already released singles in the UK and Japan.
listen to" loved ghost", arragend by Anne Laplantine

Don Nino, a.k.a. Nicolas Laureau, ex-leader of Prohibition and co-founder of Prohibited Records, has finally decided to release some of the material he's been keeping secret for a few years. His uncommon approach to modern folk music gives an original form to these songs. The album shifts from a mixture of deconstructed pop and bittersweet bossa nova, to shades of jazz and darker atmospheres. On stage, Don is accompanied by Lori Chun Berg on Wurlitzer, guitar, and trumpet and Shane Aspegren (BSN, Songs:Ohia, Bright Eyes,...) on drums. read the bio

Soeza's strenght lies in the multiplicity of tastes and styles which they have learned to weave into a unique and satisfaying whole. Soul, brassy, seven musicians from Bristol : Soul-rock.
begining in february 2001. For those who love Fugazi, Stereolab, James Brown and The Ex !!!

Created by Prohibited Records co-founders, this project proposes a spontaneous approach of instrumental composition. The trio cite 70's jazz, afrobeat and experimental rock as inspirations. The use of sampler-pedals for guitars & bass, a Macintosh G3 and a small sampler put their music in dialgue certain contemporary mouvements ( electronica).

The general atmosphere situates the band in the post-rock realm though they frequent diverse musical frontiers, shifting between contemporary and improvised music. The guitar style has been likened to that of Derek Bailey and the complexity of the music is brought together by a narrative approach in singing. Patton is creative, driven, minimalist and modern. In these last few months, the band has recorded new material for a full length album ÔJ-R for Jaune Ð RougeÕ .

After their first album "Whales Lead To The Deep Sea", here comes a beautiful sequel. "Open Transport" keeps the entire identity of Purr's style while exploring new soundscapes. Electronic sounds, instrumental arrangements and vocal positioning in the mix definitely situate the band at the edge of rock, french "chanson", and experimentation. Is it a new generation clash between Brigitte Fontaine and Tortoise??

The new album by the quartet Heliogabale is simply inspirational. Recorded by Al Sutton in 1999 (Don Caballero, Today's The Day etc.), "Mobile Home"reveals a new orientation for the band with full atmospheric segments, innovative mixes, samples and a beautiful melodic approach in Sasha Andres' singing. For one song, Heliogabale joined with musicians Eugene Rodinson(Oxbow/USA) and Jerome Lorichonberg (Purr/Fr).

This three piece band from Paris is one of the french post-rock revelations of the year. With their first record on the label "Beau Caillou" they demonstrate a subtle mix of math-rock and streamlined melodies. They opened for June of 44 in France.

First and only album by parisian quartet Pregnant, who delivers here seven titles. Between instrumental, sensitive and atmospherical tracks, the band design a universe incredibly unique. (7 titles)

Prohibition recorded their last album at Black Box with Peter Deimel in April 98. This album is without any doubt the most contrasty of their records, it develops some jazz and bittersweet feelings while preserving the full energy and emotional characteristics of the band.

First cd for this belgian trio based in Brussels. Five atypical songs where belgian humor meets Slint and MC 900 FT Jesus. Recorded in July '97 by guitarist/singer Max Bodson.

Heliogabale 'the full mind is alone the clear' CD Recorded by Steve Albini in Chicago, August '97. Pure intelligent noise-rock with a great female singer. (17 titles)

Pop/noise/jazzy/atmospheric... it is quite difficult to define their music but emotion remains the keyword. Recorded in June '97 by Peter Deimel at Black Box. Purr creates a base of guitar/bass/drums to which they have added samples, trumpet and keyboards. (10 titles)

Sequel to 'Towncrier', 5 unreleased songs also recorded at Black Box studio by Peter Deimel in '96. Same concept as the album by quartet Prohibition.

Emo meets the experimental. Recorded by Nicolas Laureau in November '96.

Same record as the CD version, different cover.

First and only record for this band based in the north of France. Beautiful trumpet parts blended with sonic guitars. (order by mail at the label's address) not available on NetBeat

First record for Purr, different version of 'trust' which also appears on their debut album "Whales lead to the deep sea".

Powerful noise and tortured voices with beautiful jazzy parts.

First album for this parisian band. Recorded in '95.Unique way of treating the guitar as an object of experimentation, incredible female singing.

Third Prohibition's album. Vynil, different cover than the CD version. (10 titles)

"Cobweb-day" is the third Prohibition album. Recorded in January '95 and released in April '95. These 15 titles deepen the musical particularities of the trio with very a wide gamma of emotions and poetic lyrics, developing considerations on modern occidental societies. This album includes the song Glaring, with Quentin Rollet's sax studio collaboration as well as sitar tracks by Nicolas Laureau.

Emotive post hardcore with indian sitar. Second album for Prohibition. Recorded in December 1993. This album was first released on the label Distorsion. It is the first step of the trio version of Prohibition with lots of jazz influences in the compositions and very assertive lyrics.

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