Nicolas
and Fabrice Laureau grew up in between the former USSR, Germany, USA,
and France - a fact which influenced their diverse passion for music.
Prohibition formed after the two brothers met Ludovic Morillon in 1989
while attending the same French University. The band immediately became
a priority over the University, and in it's development, saxophonist
Quentin Rollet was integrated into the group in 1992.
Soon after, the French label Distorsion gave the band their first two
releases, in 1993 and 94. In 1994, the band decided to fully embrace
the D.I.Y. way of life, and Prohibited Records was conceived to release
their third album, "Cobweb-day".
Three years later, Rollet also created his own Avant-Garde Jazz label,
Rectangle, with French guitarist Noël Akchoté. The cultural
dynamism of Paris has been the source of Prohibition's work. Their fourth
album, "Towncrier", and the 5 song CD, "#5 Follow theTowncrier",
are thematically based around perceptions of Paris. The group's last
album, "14 Ups and Downs" was recorded in April '98, with
Peter Deimel at Black Box Studio (France), and released during the end
of '98 all over Europe and in the US. Four films/videos (ranging from
narrative to experimental) were shot for this album by the French film
collective Formicoleo.
In
September/October 1998 the band toured the US playing shows with Blonde
Redhead, The Black Heart Procession and David Grubbs (Gastr Del Sol,...).
After their European tour of 1999, the band decided to take a break
to work on other musical projects, and to allow Nicolas and Fabrice
to focus on running the label.
Their music has been described as newrock based on the mixing of musical
fields and Parisian cultural interplay.
Prohibition has played more than 400 shows (from clubs to festivals)
all over Europe and the U.S. and has shared stages with Fugazi, Blonde
Redhead, David Grubbs, The Ex, Dominique A, U.S. Maple, Noir Desir,
To Rococo Rot, Tarwater, Couch, Victims Family, Les Thugs, Condense
and many others (including most of the other Prohibited Records bands).
"When I hear the word 'Prohibition' by itself, I think first of the
Prohibition of alcohol in the 1920's, how it is referred to simply by
our government's inability to suppress decadence. In fact, there's an
interesting correlation between that period -which forced normal people
underground into speak-easies and produced a blossoming of jazz culture
- and the current state of independent music."
(Keach Hagey USA, 1997)
"Parisian
Anglophone quartet Prohibition have the smack of Morphine about them,
but with more varied instrumentation. There are also echoes of the down'n'dirty
side of Back Door. The style is more fractured than either, though.
Rhytms stutter, riffs stumble, melodic lines loll across terse, telegraphic
lyrics, textures glower darkly as they are slashed by obsreperous shards
of powerchording. These 14 tracks add up to 47 accomplished minutes
of intense songs mingled with insistent instrumentals, and the programming
is nicely judged, consistently building the tension and density without
reaching saturation point."
(THE WIRE UK, 1998)
