On Spiritual Cannibalism, Shane Aspegren descends—literally and metaphorically—into submerged territory. The three-part long-form EP is anchored by Resonant Harbour, a 12-minute composition originally commissioned for a project of the same name and partially built from processed underwater field recordings captured in Hong Kong’s Victoria Harbour, historically known as the “Fragrant Harbour.” These hydrophone recordings—dense with tidal movement, industrial hum, and unseen propulsion—form the elemental source material for the entire release. Read more
